He's Just Not That Into You (2009) review - Movie Thoughts (Chapter 25) 💙
Hello everyone,
Today's film is a rom-com I thoroughly enjoyed. It was one of those titles that people would mention in passing as a quintessential romantic comedy, and I completely missed watching it growing up. I've also realised that in a lot of ways, this film walked so Valentine's Day (2010), New Year's Eve (2011) and Mother's Day (2016) could run. It's a good time, so pull this one out at your next girls night (whenever we'll get those back)....
(**disclaimer: the
following thoughts are 100% my opinion, you do not have to agree with them -
film is inherently subjective and everyone's perspective is valid! Also, there
are probably spoilers in the following, read at your own risk. Now onto some
thoughts....**)
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Source: IMDB |
A hilarious
and heartbreaking dissection of how nine people navigated the perils of their
relationships; this Ken Kwapis-directed romantic comedy had merits beyond its
talented all-star cast and clever weaving of concept and plot. Set within the
hustle and bustle of Baltimore, various interconnecting stories walk through the
challenges of reading or misreading human behaviour in relationships both old
and new. The cinematic embodiment of denial as not just a river in Egypt proliferated
throughout the stories, with the twists and turns unfolding effortlessly.
It had the charming
sort of coincidental energy where everyone didn’t know they were participating
in a huge game of six degrees of separation, yet the audience was able to relish
in the interconnected web of stories all unfolding simultaneously. Kwapis did a
fantastic job of balancing the drama and the light-hearted banter whilst successfully
utilizing two unique structural concepts of connecting all the characters together
and a basis in the wisdom of a self-help book.
The interlocked
character structure allowed for an effective tool to be able to step through
all the different dynamics of various relationships at different stages of growth
and also decay. Clocking in at just over two hours, there was the necessary complexity
and care taken to both cover all the necessary grounds with character
development and intuitively weave in the self-help threads as well. Taking it’s
time also contributed to natural pacing, and it never felt rushed or
unnecessarily pushed towards a hollow happy ending. Rarely do rom-com’s end with
a full-on train wreck, especially one based on book designed to help people
with their love lives, but there was enough light and shade in the resolutions that
it felt like a genuine cross-section of potential real-life outcomes.
Self-help as
a thematic concept was a golden nugget that helped this film shine. Kwapis
essentially structured the story like a self-help film and honoured the source
material of Greg Behrendt and Liz Tuccillo’s book in an engaging tone. The
fourth wall break monologues by different people separate from the main stories
were an excellent breath of fresh air and helped to cement the ideas behind
each of the sentence markers. Phrases like “why doesn’t he call….”, “why he
doesn’t want to marry you….” and “if she’s not sleeping with you….” were
excellent precursors for specific dialogue sequences in the story and added
another implicit level of clever connection between all the material.
The nuanced
complexity was also created by some fantastic writing. Marc Silverstein and
Abby Kohn’s script was articulate and smart, and like any good silly rom-com
found numerous ways to highlight the takeaway lessons without falling into preacher-esque
territory. Particular moments stood out as special scenes of genius; like Alex
(Justin Long)’s slightly passive aggressive yet strangely thoughtful monologue
from behind a bar and Mary (Drew Barrymore) spouting wisdom about online dating
rejection (in 2009!) with the nuance of a TED talk all while walking through a CVS.
With so many
arcs to choose from, there was a lot to unpack, like and dislike about everyone’s
journeys. Gigi (Ginnifer Goodwin) and Alex’s storyline was the standout in terms
of emotional investment despite having the most typical rom-com structure. They
had some of the best moments and memorable dialogue, and both performances were
excellent. Other arcs were also easy to invest in, like Beth (Jennifer Aniston)
and Neil (Ben Affleck)’s incredibly mature and heartwarming commentary on the significance
of marriage. PSA: Only get married for the right reasons, and ultimatums are
not one of them.
The most compelling
arc involving heartbreak involved the curious case of Ben (Bradley Cooper) and
Janine (Jennifer Connolly)’s marriage. Tumultuous yet surprisingly compelling
to watch, it was clear through their actions they weren’t on the same page. This
married and retrospectively marriage-phobic asshole told his wife he was sleeping
with someone else in the wood aisle at Home Depot! His rubbish communication skills
were utterly infuriating, but Cooper’s realistic performance didn’t relegate Ben’s
shady behaviour from being truly annoying; unlike some other characters.
These sour
notes were most notably Anna (Scarlett Johansson); a semi-vapid, gorgeous yoga
instructor who wanted to pursue a singing career, despite the fact she doesn’t
utter a note at any point. Anna’s questionable decisions made her quite unlikeable,
and Johansson’s awkward performance didn’t do her characterisation any favours either.
Real-estate agent with douchebag tendencies Conor Barry (Kevin Connolly) was
also really annoying for the majority of the film. Both had their own
borderline problematic stick happening that was sometimes uncomfortable to
watch, and weakened a very robust plot.
Mastering the
degree of maturity and fun that befits any successful romantic comedy, Kwapis’ self-help
inspired romp had wisdom for everyone and plenty of laughs as well.
8/10, 4 STARS
Thanks for reading,
Love and self-help romance books, Emily 💙
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